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Traité de la vanité des choses mondaines, 1471

 Item
Identifier: MS 52

Overview

Jean Barthélemy (fl. 1446-1460), Traité de la vanité des choses mondaines (Treatise on the Vanity of Worldly Things). The treatise begins with a short prologue that explains the circumstances of the text’s composition: “A la louange et honneur de dieu et contempnement des chouses terriennes, cy conmence vng petit traictie de la vanite des choses mondaines, fait lan mille iiiic lx a l’instance et honnourable et deuote religieuse seur Jehanne Girad du tres tresreligieulx [sic] couuent de l’umilite de Notre Dame de Longchamp par le plus petit et indigne des mineurs frere Jehan Bertelemy”, (For the praise and honor of God, and the disdain for earthly things, here begins a small treatise on the vanity of worldly things, made in the year 1460 at the request of the honorable and devout nun, sister Jeanne Girad of the very pious convent of the Humility of Our Lady of Longchamp, by the smallest and most unworthy of Franciscans, brother Jean Barthélemy).

No edition exists of the Traité or any of Barthélemy’s other works, which have never been printed. The Traité has been identified in only four other manuscripts besides this one, all dating to around the same time, in the 1460s and 1470s, shortly following the text’s composition. This manuscript dates to the same period (1471). The text itself is a representative example of late medieval Franciscan spirituality, tailored for a monastic female audience. Barthélemy is indebted to Francsican authors such as Bonaventure and Duns Scotus, reveres the Franciscan founding saints Francis and Clare, and upholds Franciscan ideals of poverty and prayer (Longpré, 1935, col. 1271). As a work in the (French) vernacular, the text would have been appropriate for the female audience of Poor Clares, less likely than their male Franciscan counterparts to be literate in Latin. Clarissan nuns, indeed, were traditionally under the spiritual direction and guidance of Franciscan friars, particularly in the form of sermons and treatises like this one, advocating the religious virtues of discipline, obedience, and the practice of devotional exercises. The Traité, therefore, has particular value as a witness to the approved spiritual diet for female religious in the second half of the fifteenth century, as well as to the continued importance of women as an audience for Franciscan spiritual writing.

Dates

  • Creation: 1471

Extent

1 Volumes

Language

French

Custodial History

Owned by Frances Vaurelha (b. 1508) in Albi in 1552. A note in Occitan on f. 67v, signed with this name and dated June 15, 1530, relates to the removal of some trees from the main square of Albi: incipit, “L’an vc xxx et xv jorn del mes de Junet foret bayla la comysye as ysols ... tres peyre par mus urai toblar.” Vaurelha was the author of a “journal” of civic events in Albi between 1489 and 1552, some 30 folios long, of which this note forms a part. In this manuscript’s original binding (and at least as late as 1890; see Portal, C. “Notes d’un bourgeois d’Albi au XVIe siècle”, Revue historique, scientifique, et littéraire du Département du Tarn 8 (1890-1891), pp. 229-237, where these notes are described in some detail), the Traité was preceded and followed by a large number of leaves (no longer included with the present, unbound manuscript), on which Vaurelha recorded his journal in the mid-sixteenth century. Owned by M. de La Tour in 1890 (Portal, 1890-1891, p. 229).

Author

  1. Jean Barthélemy (fl. 1446-1460)

Other related names

  1. Vaurelha, Frances (b. 1508), former owner
  2. de La Tour, M., former owner

Immediate Source of Acquisition

Purchased for Bryn Mawr College from the Howard Lehman Goodhart Memorial Fund.

Related Materials

A digitized version of this manuscript can be found online at: https://bibliophilly.library.upenn.edu/viewer.php?id=MS%2052#page/1/mode/2up

Physical Description

Watermark, Briquet 1685, Paris 1471

Paper support, reinforced with parchment at the front of the manuscript and in the center of each quire.

Disbound, with the removal of the boards and spine; still sewn on the original (?) five thongs

67; 292 x 205 mm

Single column, twenty-one to twenty-seven lines, full-length bounding lines on all sides in drypoint, no visible ruling or pricking; written area: 185 x 100 mm

Gothic-cursiva script

One three-line illuminated initial on fol. 1r and various two-line red initials beginning sections throughout; illuminated panel border in outer margin on fol. 1r; black rubrics; frequent manicules throughout

Modern foliation in pencil, upper right recto

Find It at the Library

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